
Note that there seems to be a problem with the planning website at the moment, but I assume that it will be sorted out when the working week starts again."I recently went down to Bradleys Mill, Speldhurst, near Tunbridge Wells in Kent, and was alarmed to find it fenced off, as if ready for redevelopment or conversion.
The mill itself is a good example of a West Kent/Sussex village corn mill, and remains internally complete, although the waterwheel has deteriorated markedly since it ceased work just over thirty years ago. The structure itself is in good condition.
A recent enquiry to Speldhurst Parish Council, has revealed that in 2008, the mill was subjected to two planning applications, the first of which was for conversion into a house, retaining the basic machinery. This was allowed without too much fuss. The first application was clearly a dummy run, as a month later a second application was entered, which wanted to convert the mill as above, and provide seven new homes. This was rejected, on environmental grounds, and also that the new development would have been a hazard for bus routes turning in from the main road.
I've just been alerted to a third application, which is a revised application of the second one, and includes a comprehensive traffic study. This was submitted on the 16th December, and can be objected to at this website :- http://pa.tunbridgewells.gov.uk/publicaccess/tdc/dcapplication/application_searchform.aspx You need to submit application reference 09/4000/1527 into the top box.
I have been alerted to this by concerned villagers and/or the parish council, who are keenish to see a different use for the mill. Perhaps even preservation. With the Kent Mills Society in its infancy, I've recently been looking at a few sites in Kent, and one thing that has become apparent is the shocking amount of conversion and development that has been allowed in the last twenty years.
Please take a moment to object to this if you can. The application is up for review I think on the 2nd January."





Paul Hepworth, of Holgate Windmill Preservation Society
continues to keep me updated with the latest good news of Holgate windmill.
His latest images show, in order, the new cap being painted, transported, lifted in to place on Sat 28th Nov 2009,
and a snowy scene taken on 17th Dec 2009.
Just came across these instructions on How to paint a windmill which amused me. (To avoid doubt, this is about how an artist captures an image of the windmill on paper - not how to apply a protective layer of paint to a windmill to keep the weather out!).
What the steps boil down to are:
I have been sent this photo of a post card apparently showing a windmill on fire, with the following explanation:
"I have this photo in an old album which I picked up in junk shop. Any idea where it may be from, the family had connections near Bury St Edmunds, and in Hartest, Glomsford and Boxted Suffolk,part of the family lived Putney, London area and in High Wycombe. Sadly there is not any writing on the reverse only made out as photo postcard, divided back."
Can anyone help identify the mill?
The first programme in the Christmas Series of Victorian Farm, featuring Alex Langlands, Ruth Goodman and Peter Ginn, aired at 9pm on Friday 11th December on BBC2.
This programme includes milling scenes at Wilton Windmill with Alex, Ruth and some of the Wilton Windmill Society's members. Ruth and Alex joined the millers in May this year to film the scenes for the programme. If you are watching this on iPlayer, the segment starts in the 27th minute of the recording.
Members may know that a few years ago I compiled a national register of photographs of English windmills, encompassing images to be found in printed publications as well as in museums, libraries, record offices and other sources of information. The cost of producing it in paper form would at the moment be prohibitive, and the Mills Archive have experienced problems in formatting it which so far have prevented it being added to their website. At the same time, although I deposited a copy of the manuscript (now out of date) at the Science Museum Library in 2002 it is not in the shelves but in their Archive section, something of which members of the public may not necessarily be aware; after some badgering by myself a notice was put up in the section on mills directing those wishing to consult the register to the Archive section but this has now been taken down.
I have therefore decided to post the register on my own website (http://www.guyblythman.com) where it may be consulted in full. It is spread out over several pages, the first three of which are titled "Windmill Photographic Register" and the fourth "Addenda". The material amounts to the equivalent of several printed books of the length of my recent "Lost Windmills of Sussex". It is meant as a complement to information sources such as the Simmons Collection, to my revision of C F Lindsey's Bibliography of British windmills, doing for photographs what has already been done for written records, and to the new technical archive currently being planned.
Although the aim was to include, as far as possible, every mill in England which has ever been photographed, a project like this can never be entirely complete, and indeed the register is continually being updated and added to; nonetheless I believe it will be of use both in existing research and in prompting molinologists etc to carry out new research.
I have not attempted to include every instance where a photograph appears on the internet (which was in its relative infancy when I began the survey), as this would be too large an operation; however the register should certainly be useful with regard to those information sources which may not have put all of their photographs on line.
The register, which involved extensive research over a period of six years, takes the form of a county-by-county gazetteer, with a section on photos where the mill cannot at present be conclusively identified. Altogether around several thousand (identified) windmills are included. Each entry states where the photograph(s) is/are to be found, the location of the mill, its condition as shown in the image, the date the photo was taken if known, and finally any particular features of interest which are visible.

The stock of one of Jack's sails has split, causing the mill to lose a sail.
(Images provided by Paul Barber).
The Angla windmills, a group of 4 post mills and one smock mock, are very much a symbol of Estonia. Eesti Post is issuing a stamp featuring one of the post mills. Although only one of the mills is shown on the stamp, face value 5.50 kroon (0.35 euro), the first day cover shows the full set of 5 mills.
This stamp joins an ongoing series of stamps produced by Eesti Post that feature Estonian mills. Last year's issue was the tower mill at Polma, and the first in the series was the watermill at Hellenurme issued in 2007.
The planned date to crane Holgate Windmill's new cap on, is Wed. Nov 25th.
It is currently inside a giant tent, off site.
Google continues to add to their impressive StreetView coverage, and the latest new countries to get images are Canada and the Czech Republic.
However for sheer visual impact, the inclusion of an "off road" set of images taken round Huis Ten Bosch (a Dutched themed town in Japan) is hard to beat.



I've been sent these photos which come from the photo collections of several US Army Air Force veterans who served in the 487th Bomb Group at Lavenham, England, in 1944-1945. It's not a mill I recognise, but is assumed to be fairly local to Lavenham since it appears in at least 4 separate collections.

The fourth photo shows Basil O'Connor (fifth from the left), head of the American Red Cross, visiting the airbase near Lavenham, England, during World War II. Notice the photo hanging on the wall at right. It looks to be the same as the first photo, so these photos may have been taken by a 487th Bomb Group photographer.
Please let me know if you can identify the windmill.
Google StreetView is the result of systematicaly driving along streets with specially constructed cameras to produce a very useful full picture of the areas covered. To further add to the usefulness, for a while Google have been including photos from Panoramio. Thay have now also added photos from Picasa Web Albums, so for popular places its possible to see many shots, often from lots of different angles.
Where possible, I've added StreetView photos to the pages for individual mills. For example see:

Ken Major, a world authority on mills (and indeed on many other architectural fields), has died after a short illness.
A professional architect, he obtained an SPAB scholarship in 1952, and mills gradually became part of his wide mix of interests. Over the years he held the positions of Chairman of the SPAB Mills Section (1978-1984), Chairman of TIMS (1977 - 1993), and laterly a Trustee of the Mills Archive (of which his considerable collection is a Founding Collection).
There is a full biography which he wrote a few years ago available from the Mills Archive (though unfortunately it is a relatively inaccessible Word Document).
Photo by Luke Bonwick, 2005, currently used without specific permission
Brill windmill has been undergoing an extensive restoration, which has included knocking down and rebuilding the roundhouse, reinstating the original rear steps, new weatherboarding, and a set of white painted sails. Whilst the mill will not be properly open until mid-August or so, the official "reopening" ceremony was on Thur 9th July 2009. There was also a reopening party held on Sunday 12th July - with a beer tent on the common, and the roundhouse was open so the work there could be inspected.
There are a good number of photos showing the new appearance of the mill on Flickr.
As far as I can see, this is just a temporary feature, until the 6th August 2009. There are photos of it here which shows it to be a vertical axis mill, perhaps driving an electrical generator, and the grinding facility seems to be provided by a small domestic kitchen top grinder.Part of Barbican Art Gallery's current exhibition Radical Nature - Art and Architecture for a Changing Planet 1969-2009, the experimental architectural collective EXYZT has created The Dalston Mill, turning a disused railway line and waste ground in Dalston into a vibrant rural retreat for the people of the area and beyond.
The fully-functioning, 16 metre mill is accompanied by a 20 metre long wheat field, a restaging of environmental artist Agnes Denes' original 1982 pioneering piece.
More coverage from Dan Lepard, in The Guardian.
| Last updated 02/01/2010 | Text and images © Mark Berry, 1997-2010 - |